About

Records that feel like the room they were made in.

I'm a mix engineer obsessed with the moment a rough idea snaps into a finished record. I work with independent artists and bands, mostly remote, delivering lossless mixes and masters with proper version control and honest turnaround times.

Most of my work is remote, with independent artists and bands who care how the record actually feels, not just how loud it is. You send the session, we agree the scope, and you get a finished mix back in lossless with timestamped feedback baked into the process.

No mystery, no endless rounds, no surprise invoices. Two revision rounds as standard, a clear deposit-and-balance structure, and a client portal where everything (versions, notes, payment) lives in one place.